Archive for the ‘Arts’ Category

Waltz Dance

Johann Strauss is the composer who popularized the waltz with the works of musical creation in the 1800s in Vienna, Austria. Strauss created a musical composition is very much rhythmic waltz, such as “Blue Danube”, “Tales From The Vienna Woods”, “Emperor”, and a long row of others. Waltz that developed in Vienna is a fast-paced classic waltz. Dancers can explore all corners of the room spacious ballroom with a beautiful swing and rotation.

In America, waltz popularized by a couple, Vernon and Irene Castle in 1900. They introduced the “Hesitation Waltz”, which has three beats in one step. Furthermore, a waltz in the United States reached peak popularity among others through the musical film “Waltz in Swing Time” starring Fred Astaire (1899-1987). Fred is a Broadway dancer, and he brought a different waltz with “Viennese Waltz” Strauss popularized.
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Tango Dance

You might feel exhausted after work, but you might not feel it when the strains of Latin music began to sound. Anesthetized leg torn to directly around the dance floor to the rhythm.

Tango dance is one type of dance that originated from Latin America or we used to hear it from Argentina. The dancers are consist of couple, male and women. In general there are two types of tango which are Argentine tango and ballroom tango.
Lets find out the difference below:
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Modern Dance Classes

Hundreds of modern dance styles are taught across the United States. Some focus on the technique of one major modern-dance figure. Most serious modern dancers have taken classes at one time or another in the techniques of Martha Graham, Limón-Humphrey, Lester Horton, Merce Cunningham, and Mary Wigman.

These particular techniques are studied in part not only because the people were great dancers, but because they made movement systems that could be taught. Some of these are almost as formal and codified as ballet.
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Pop Culture

Fusion brought one more significant change to what we call main stage contemporary dance. While modern and ballet choreographers were adding in vernacular moves to their choreography, vernacular performers ordinary people, using their natural or ethnic dance styles began constructing dances they intended to be performed on stage as well as in the neighborhood or community center.

No longer content to provide intriguing accents to someone else’s main stage work, they started companies of their own and began staging full evening performances using their own idiosyncratic movement vocabulary. What started as the fusion of different dance forms into mainstream modern and ballet companies transformed seamlessly into a profusion of new dance companies, working in totally different ways than the main stage dance troupes.
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Post Modern Dance

On the small stage of the Coolidge Theatre at the Library of Congress in Washington, D.C., Martha Graham stood taking a bow. It was October 30, 1944, and, at age 50, she had just danced the lead role of a young bride in the premiere of her Appalachian Spring.

The radiant Graham accepted the applause hand-in-hand with Erick Hawkins, a 35-year-old dancer who had appeared in the stage role of her bridegroom a role he would play later in real life. Merce Cunningham, a phenomenally talented dancer who had portrayed the frontier preacher, was on her other side.
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